Plans Pinched

After my last post on how I was going to post more consistently, I finished a painting/collage, and was ready to write a post, then got a pinched nerve in my cervical spine (neck). It’s happened last year, too, and is part of the way my spine is weakening due to my HSP, a degenerative condition that causes thinning of the spinal cord. The pinched nerve sends shooting pain down my arm, as well as a sharp pins and needles feeling. Writing on my computer, or by hand for that matter, became excruciating. It’s better now, the pain manageable. I’ve done a lot of physical therapy – otherwise, I just have to wait it out. It usually resolves itself within a month.

So it goes that I’ve reached a point where I can’t make promises on schedules – not that I’ve ever been that good at it anyway.

Art and writing are strange endeavors in these times. It’s like the whole world has a degenerative condition, and things are falling apart in extraordinary and surreal ways. A lot of people are getting hurt and are unable to talk about it; censored somehow, despite the presence of an unprecedented number of media outlets. We’re all drowning in information about problems, and denied access to solutions. So, I took some time away from all that and painted an homage to my chin.

I’ve always been self-conscious about my double chin (and round face). Now a lot of friends are aging, and their faces are changing as their skin gets a bit wrinkled. I’ve always loved wrinkles, the way we age and change. I find the kind of restrictions we put on ourselves as to what we see as beautiful absurd. Every wrinkle, sag, scar, anomaly, or unique characteristic is fascinating to me. I love the signs of aging and survival.

But I find that I don’t extend that grace to myself. So I took a few pictures of myself at “bad” angles. I painted each one on paper, using watercolor, acrylic paint, paintmarkers, and pens then collaged them onto a canvas, along with some ads for ways to get rid of double chins.

Surprisingly, I was uplifted by the project. I enjoy my chin much more because the overall mood of the painting is happiness. And in spite of the state of the world, I am happy. I’m willing to bet I’m happier than any of the rich and powerful people chipping away at our beloved country and world. I’d rather have a degenerative disorder of my body, than degenerated compassion and lack of regard for the needs and safety of others.

Forgive Us Our Chins by Joy Murray, 2026, 20×24″

So what do you think? Should I make it available in my Redbubble shop? Or is it more of a one off, personal self portrait? (It’s now on Redbubble as prints, cards, stickers, etc https://www.redbubble.com/shop/ap/181208173?asc=u)

Keep your chins up, my friends. As soon as the pain of being pinched by the world passes, make something beautiful or funny or powerful. You make the world a better place.

~~~

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Me with a Sunflower fabric sculpture I made maybe 20 years ago. Her necks gone a bit weak, too.

Work of Heart in Progres Day Five – whew!

Things went well today and I got her finished!

I finished the base last night.  I really love it when it gets to this stage and I can stop being careful and constructive.  I can start really being creative, draping fabrics, letting seams show and adding found objects.

wire for the vine

wrapping the wire in fabric

Okay, I got the wire wrapped and used embroidery thread to secure it and then I really got into it and stopped taking pictures.  I added hand painted fabric leaves.  I repeated the motif of the butterfly heart and added a butterfly broach I found at a thrift shop.    I sewed and tacked down things.  I used big visible stitches and thought about how much it helped me, as a young girl, when kind people helped me stitch together the various parts of my broken life.  The kindness people did for me kept me from despair and helped me blossom.  I hope that sense of repair and renewal comes through in this piece — Spring From The Heart.

Spring from the Heart

Growth starts in the heart

The base

Heart side

back

spring from the side

growth close-up

I took the following photo on my husband’s dresser.  It’s the last thing I see every night when I go to sleep.  Do you think my dreams influenced this piece?

among the plants

Joy and her Art Doll

Tomorrow off she goes from Portland to Memphis to be part of the 19th Annual Works of Heart Art Auction on February 12th.  I miss her already!  For more information on the auction please follow this link:


http://www.memphiscac.org/worksOfHeart.aspx

The Survivor

I finished The Survivor.  She is 14″ tall on a 10″ x 7″ bass wood base.  The fabric is hand-stitched pearlized cotton.  Her hair is 100% wool.  Glass beads, wire armatures and acrylic paint.  Scroll down past the slide show if you want to look at the details.  She’s a little hard to photograph, but I think you can see most of the detail.

She follows the mystery of her own life.

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Autumn Inspirations

Sorry I haven’t posted in awhile, but between the Chronically Inspired Workshop and the Portland Open Studios, I’ve been pretty inspired.  I’ve also been deeply lost in thought about life and death, the thoughts and meditations that seem to arise in Autumn.

I had a wonderful conversation with Sara Swink, a vibrant ceramic artist, http://claycircle.com/, about the art I make related to bodies in transformation.  She told me of a piece she made that came out of the kiln cracked at the breast and a woman who saw it and loved it, because it reminded her of her mastectomy scar.

A scar of any kind is a bit can be interpreted as a flaw, but it is really a mark of survival — and I have to say I admire the knitted skin of a scar much more than the delicate patterns of tattoos.  I have seen some artful tattoos patterned around scars but I think a scar itself is a powerful symbol of renewal and the body’s yearning to heal and be whole.  I have a scar from a major cut on my thumb and a major surgery on my wrist.  It has a long seam one little keloid bump that I interpret as a web.  You can’t see it very well in this photo, but in person it’s dramatic.  The skin is strong and smooth.  My hand works perfectly every day in spite of the fact that the thumb was cut to the bone and might have never worked if they hadn’t sewn it back together.  The knob of  my wrist bone broke off in a fall and was put back together with a screw.  Ahh, the miracle hand.

Miracle hand

One of the women in my Chronically Inspired class almost died from Lupus a few months ago, and she now has a tracheotomy scar on her neck.  For a long time she wouldn’t look in the mirror, then she felt like she should wear a scarf to keep from scaring people — but she got hot.  Now she barely thinks about it.  It’s a line, a life-line, a neck jewel that says survival.

So I got the idea to do an homage to scars, and have been working on doll who has had a mastectomy called Survivor, a sculpted doll about 18″ high.  It’s gone through many transformations (no surprise) and taught me a lot about how to balance things and make good armatures.

I’ve also been working on a doll for a friend and some ideas for heart ornaments.

This is also a season of mourning from me.  My younger brother died about 2 years ago.  We don’t know his exact death date.  He had schizophrenia and was often  uncommunicative.  His last call on his cell phone records was October 25th.  He wasn’t found until November 11th.  I mourn his death, but  more so, I mourn his illness that isolated him so badly, although he was high functioning and succeeded in being independent.  I have had many dream visitations from him since his death and he seems much happier.

Halloween used to be a favorite time, and I loved the whole macabre celebration.  Now I feel removed from it.  It’s a more sacred time and I don’t like seeing the glorification of insanity, wounds and zombies.  I didn’t actually see my brother’s decayed body, but we had to do some clean up of his apartment and the smell, the disorder, the fluids, the remnants and the depth of that experience has not left me, and I can’t get into the celebratory mood.

I wondered how I would feel today.  I wondered if I should erase the date of his last call and forget about it, at least on the calendar, make the memory less date related.  But something makes me want to honor this day, his memory, the thoughts I have of him as a boy, the odd things he taught me about perception.

Then yesterday I woke up to the sound of the first full rain of the season, so soothing and somber.  Years ago, I wrote a story about my son finding a loaded gun in a friend’s house, based on a true event.  And yesterday, in that time between waking and sleeping, listening to the voice of the rain, my brother’s voice came to me and retold that story, and his story, and my story, in such a profound way that I leapt from the bed and wrote it down in my little red book I keep by the bed for writing emergencies.

So today, I get to work on this new story that combines sorrow and magic; about the wisdom that the passage of time and the acceptance of loss bring.  It’s turned out to be a good day, a blessed day — the bonds between me and the world beyond life feel soft and comforting.

I’m not going to wear a costume for Halloween.  Instead I’m going to tell stories — about scars, about friendships, about portals of the mind, and about visitations from spirits far wiser than I will ever be.

He lives on in my dreams