Everyday Enchantment

We’ve had several days where the temperatures have eased into 80 degrees.  All the trees have grown out their spring leaves, flowers are budding everywhere.  I sit on my porch more often.  My friend helps me plant flowers in the yard and in pots on the porch.

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I’ve had a bout of fatigue for the past month, but it seems to have abated (as much as chronic fatigue ever abates), and I feel myself unfurling like the plants around me.

I don’t know if everyone with a chronic, degenerative disorder does this, but I often make plans for myself that I could only do if I was in a former body, the one that could walk, that could get up if she fell.  I see myself kneeling in the garden, pulling weeds, planting seeds.  I see myself sitting on the porch steps and transplanting a root-bound flower from one pot to another, then standing up, brushing the dirt from my clothes, going inside to wash my hands.

I see myself  hanging pictures in the apartment, standing on a stool, getting things just right.

I see myself going out on these warmer summery nights, dancing maybe, with someone who catches my eye and returns a smile.

But I can’t do any of these things.

My roots are bound.

And most likely I’ll only get transplanted to smaller and smaller pots.

It’s a kind of dissociation, I think, seeing myself doing things I can no longer do .  And it’s not a new or unexpected way of thinking, since I live in my head so much anyway — making things up — stories, images and ways of being.

Yesterday, I went to the Carpenter Art Garden, where, once a week, I help kids draw.  We get a lot of kids from the neighborhood after school, and they are frisky and so glad to be out of school.  Some are barely able to sit still.  Some urgently need to go over all the problems they’ve faced during the day.  Some need to settle arguments or tease each other.

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There are always several projects at the Art Garden they can participate in.  One of the projects yesterday was a May Pole — the kids made ribbons, staff attached them to a pole in the middle of the garden.  When all the ribbons were up, they put on some music from Lil Nas X, and the kids all wrapped the Maypole.  It was a blend of old traditions and new ideas, young people and older people, all creating a moment of community in a world where we all seem to be jaded and discouraged and root bound.

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When I go to the Art Garden, I use my power wheelchair and take the bus.

I pass through several neighborhoods, some rough and in the process of decay, some wealthy, most somewhere in the middle.  I see trees spreading their arms over all kinds of houses and abandoned buildings.

I see, and usually stop by, the Central Library, full of history and the future.  (And a great accessible bathroom, by the way)  There are usually a few homeless people resting in the shade of the building.   Inside, there are people using computers, looking through books, kids doing homework.  Parents with young children are reading together.

I roll on through several blocks of Binghampton to get to the Art Garden.  I see acres of a former housing development with abandoned boarded up buildings.   Over the past month, I’ve watched a wisteria vine bud and bloom.  Now it’s covered with emerald leaves.  It’s leaning against an old building and will one day knock the whole thing over.

I see small businesses in old buildings, and apartment communities with kids running around behind gates.

Being in my wheelchair, being a pedestrian, I see these things, the little changes in the landscapes.  I don’t speed through the seasons, I watch it all in it’s own time.  In my own time.

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Yesterday, when I left the Art Garden, I walked with two of the kids who draw with me sometimes.  They were astonished I didn’t have a car.  Even more so that I was going to be able to get on a bus.

“You’re getting on a bus in that?”

Yes.  On a bus, in my house, to the gardens, to the park, to the store, to the library, to so many places.

But not everywhere, because it’s not a hover chair, and I can’t get up curbs or stairs.  So I have other tools.

I can still use my walker if I have someone to help me.  I probably won’t be able to get up stairs much longer, no matter how much help I have.

But I go so many places.  When I turn a corner, because I am slow and life is uncertain, I find a garden, and I can stop and smell the roses.  I can stop and hear the laughter of children.  I don’t come saddled with expectations, I just let the delight wash over me.

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If I continue to pay attention and I keep my expectations simple, remember all the gifts in my life, enchantment happens.  It dances to music I am unfamiliar with, and it blooms from children who will create a future I’ll never see or understand.

And what a gift it is to me to be able to encourage them to think about, draw, and make up stories about their lives.  Maybe they too will find enchantment in the everyday details of their precious lives.

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Little details, little enchantments everywhere.  Don’t miss out on them.

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~~~

Thanks for reading my post.  If you like it share it.  If you find a typo, please let me know and I’ll send you a thank-you postcard.  

You can now follow me on facebook here, and  Instagram@joymurrayart.

You can get prints and cards of some of my work on Redbubble.  They also print my work on lots of other items, including phone skins, tote bags, shirts and journals:

https://www.redbubble.com/people/JoyMurray?asc=u

If you’d like to support my art and writing, please consider becoming a donor on Patreon.  If I get enough supporters, I can make this blog ad-free!  Here’s a link to my Patreon page:

https://www.patreon.com/user?u=8001665

If you prefer to make a one time donation, you can do so at paypal.com  Please email me at joyzmailbox@gmail.com if you’d like details.

Afterwards Nothing Was the Same – New Painting

I’ve spent some time painting with my son, Timothy Allen, who’s work is much more intuitive and free flowing than mine, and at times more precise and geometric:

Dark Forest Lights
Dark Forest Lights by Timothy Allen
echoes and the sound of growth by Timothy Allen
Echoes and the Sound of Growth by Timothy Allen
The Day My Cages Turned to Smoke
The Day my Cages Turned to Smoke by Timothy Allen

Watching his techniques gave me some ideas of my own.  I did a bit of paint pouring and worked without really thinking about how the finished painting would turn out.

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Re-purposed canvas on the table

I sleep in my studio, so I just left the canvas alone for a few weeks, let myself look at the shapes and colors and flow of it.  I turned it different ways.  I thought it might be something I would paint over.

Then I found a figure wandering in the chaos.

So I painted her in and added layers and textures.  As I painted, I thought about how much about life we don’t understand.  I thought about disability, trauma, and how little sense life seems to make sometimes.

I thought about the grace of being given a path that allows you to think in ways that others can’t fathom.  But life does that to everyone, not just those who have veered into long-term illness.  We all feel a startling sense of aloneness at times.  And sometimes, we can’t fathom our own thoughts or our fate.

Any way, I finished the painting and then it told me what the title should be.

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Afterwards Nothing was the Same, 12×36″ by Joy Murray, acrylic on canvas
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Afterwards Nothing was the same, detail
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Afterwards Nothing was the Same, detail

What do you think?

I’m planning an open studio and art sale at the end of May here in Memphis.  I’ll keep you posted on dates and time.

~~~

Thanks for reading my post.  If you like it share it.  If you find a typo, please let me know and I’ll send you a thank-you postcard.  

You can now follow me on facebook here, and  Instagram@joymurrayart.

You can get prints and cards of some of my work on Redbubble.  They also print my work on lots of other items, including phone skins, tote bags, shirts and journals:

https://www.redbubble.com/people/JoyMurray?asc=u

If you’d like to support my art and writing, please consider becoming a donor on Patreon.  If I get enough supporters, I can make this blog ad-free!  Here’s a link to my Patreon page:

https://www.patreon.com/user?u=8001665

If you prefer to make a one time donation, you can do so at paypal.com  Please email me at joyzmailbox@gmail.com if you’d like details.

 

New Painting – Summer Dreams

Plants are just beginning to bud, the brown earth breaking open to delicate green blades working their way into sunlight.  But I am dreaming of summer.

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Summer Dreams by Joy Murray, acrylic and ink on canvas, 8×10″

I think it could be hung vertically or horizontally.  It was inspired by this sketch:

doodle

 

~~~

Thanks for reading my post.  If you like it share it.  If you find a typo, please let me know and I’ll send you a thank-you postcard.  

You can now follow me on facebook here, and  Instagram@joymurrayart.

You can get prints and cards of some of my work on Redbubble.  They also print my work on lots of other items, including phone skins, tote bags, shirts and journals:

https://www.redbubble.com/people/JoyMurray?asc=u

If you’d like to support my art and writing, please consider becoming a donor on Patreon.  If I get enough supporters, I can make this blog ad-free!  Here’s a link to my Patreon page:

https://www.patreon.com/user?u=8001665

If you prefer to make a one time donation, you can do so at paypal.com  Please email me at joyzmailbox@gmail.com if you’d like details.

 

 

How to Mix Skin Tones

How to make realistic skin tones is one of the challenges of painting people.   It took me awhile to realize that there is no real formula.  You can mix every tone or color from the primaries red, yellow, and blue in watercolor.  With acrylic paint, a bit of black and white helps.   However, if you’re too realistic, you lose something.  A painting that’s like a photograph, or in my case, more like a doll.  Monotones and no personality.   I’ve learned to  paint using lots of colors and layers and collage.  I’ve learned a lot from Gwenn Seemel on how to look and react to skin color and the dynamism of the human face.  I’m trying to learn how to paint the light that shines forth from every being, and the prism of their personality.

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I also like using no color at all, keeping color and race out of the picture:

12 bus stop

 

 

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St Foster Keeper of Stolen Wisdom

But I like to use a mixture of every color, too.  It’s amazing to me how many tones and shades can be made by mixing and layering color.

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One of the things I liked about working with fabric sculptures years ago is that I didn’t have to use skin tones at all.  The figures could be any race, any body.

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Dream Guide

I’ve experimented lately with some fauvism in my journal:

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I think the hardest thing to learn is that there is no “right” way to mix skin tones, you have to develop your vision, and the way you interpret life is your own — a blend of your skills, your materials, and your vision.

My mistakes teach me so much, if I look at them as teaching tools, instead of mistakes.

When I work in acrylic, I use a parchment paper palette and I store it on moist paper towels in a sealed plastic box, my own stay wet palette.  I got this system from this video by art teacher Ron Leger:

When the paper and paint start to show signs of age, I use up all the paint by just doing intuitive painting for back grounds and other projects.

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I dripped leftover paint on this long canvas, then mixed a purple gray with the rest for another background.  It helps to have a few “beginnings” around the studio.  They speak to me, eventually and a painting gets started.

My last palette had all the colors I’ve used mixing skin tones on it.  As I was thinking about skin tones, I had to think about race and all the tension that continues to plague the world over skin color.

I have enjoyed looking through the Humanae Project by Anjelica Dass who is photographing all the skin tones she can find in a very eye opening project that speaks to our uniqueness and the wide range of colors that can’t be contained by simple reductive terms of race.

Still we fight and we have difficulties understanding the world.  Skin color is an easy way to draw lines between people.  It makes it easy for those who would manipulate us for their own gain to turn us against each other.  Skin color, race, identity are all volatile and vibrant ideas that swirl around our communities and countries.

So I took all these ideas, and all the  colors on my palette and made this piece:

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How do you mix skin tones? by Joy Murray, 8×10″, Acrylic and collage on canvas

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What do you think?

~~~

Thanks for reading my post.  If you like it share it.  If you find a typo, please let me know and I’ll send you a thank-you postcard.  

You can now follow me on facebook here, and  Instagram@joymurrayart.

You can get prints and cards of some of my work on Redbubble.  They also print my work on lots of other items, including phone skins, tote bags, shirts and journals:

https://www.redbubble.com/people/JoyMurray?asc=u

If you’d like to support my art and writing, please consider becoming a donor on Patreon.  If I get enough supporters, I can make this blog ad-free!  Here’s a link to my Patreon page:

https://www.patreon.com/user?u=8001665

If you prefer to make a one time donation, you can do so at paypal.com  Please email me at joyzmailbox@gmail.com if you’d like details.