The [artists’ book] movement had its beginnings with a few individuals (conceptual artists Dieter Roth, Hansjörg Mayer, and Ed Ruscha immediately come to mind), but in the area of structural experiment and invention only one person seems to have been markedly influential (albeit seriously ignored): Hedi Kyle.
Alastair Johnston, “Visible Shivers Running Down My Spine”, Parenthesis, Fall 2013m Number 25.
While Alastair Johnston’s 2013 interview with Hedi Kyle is a rich one and welcome, it is inaccurate to say Hedi Kyle has been seriously ignored. After all, in 2005, the Guild of Book Workers awarded her an honorary membership, and Syracuse University’s Library invited her to deliver that year’s Brodsky Series lecture. In 2008, the Philadelphia Senior Artists Initiative recorded her oral history and posted her artist’s statement along with an extensive list of prior exhibitions, honors, professional roles and board memberships stretching back to 1965.
If, however, Johnston’s…
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