Magnolia Pod Painting

I painted this over graphite pencil with watercolor, then watercolor pencil, then colored pencil, then a bit more graphite pencil. I used 90 lb aquabee paper.  I tried to capture all the textures of the leaves and the pod. Next time I’ll use a sturdier paper because my style is becoming a bit more layered than before.  I think the magnolia pod is so beautiful with its red seeds.  It’s always a delight — I tried to capture my delight, so it’s not an entirely accurate portrayal, but it has good energy — potential of the seed, stability of the branch.   

Art Party at Bridge Meadows

I’m slowly making progress in my quest to get more time to write and blog.  It’s amazing how a few commitments and promises can escalate into months of “busy-ness.”  

I haven’t written about my community in a while, so I thought I’d share this today.  I live at Bridge Meadows an intergenerational community that supports families adopting foster children.  That means within one block of me are 9 families adopting 3 or more children out of the foster system, so I have 27 kids under 15 in my neighborhood.  I get to be a storyteller and teach kids creative writing and drawing. 
I’m also a member of the Oregon Women’s Caucus for Art .  On Sunday, Oct 28th, 5 members did their community outreach program here.  Five artists brought paint, paper, clay and potatoes and gave kids a big dose of creativity.  Harriet Levi taught kids how to make prints with everyday objects, including the humble potato.  Catherine Miller gave a mini-workshop on turning emotions into clay shapes.  KarenSwallow taught bead making and paper folding.  Naomi Segal Deitz did charcoal drawing. Carolyn Landon helped out at all the art tables and I taught kids how to make masks from paper plates.
The kids had a blast.  We had ages 4 to 14, and even some of the adults in the community got involved.  The artists all took special care to work with Tatum, a 9 year old, who less than a year ago, contracted a virus that left her with quadriplegia and blindness, but left her light heart and loving spirit in tact.  She is doing well in physical therapy and she’s an inspiration to us all.  She was an eager student at every table.  When she made a mask with me, she wanted to know the color of everything, not just the paints and feathers, but the scissors and hole puncher.  
Guests and extended family members attended and everyone got a boost in their creative juices.  Of course, all little kids are naturally creative, but many older kids and almost all adults think they can’t do art because they can’t draw or they think have no talent. 
The artists rekindled some of that childhood confidence, and the pleasure in playing with color and cool art supplies.  Lessons in texture, abstraction, and visual thinking relaxed reluctant participants.

The artists were delighted at the enthusiasm and the talent of the kids.  There were lots of “oohs” and “aahs” and exclamations of “cool” all afternoon.  Almost all the kids wanted to keep their disposable aprons – a sure sign they were eager to play with paint in the future.  It was the most fun I had all month — playing with kids is sooo good for the soul.
 

Fred Mutebi

Here is a link to a video on the techiques of Ugandan Artist Fred Mutebi.
I had the pleasure of meeting Fred Mutebi when he came as a Rhodes Scholar to teach at Christian Brother University in Memphis. His prints are vibrant and beautiful. A recurring motif is the shared eye, which symbolizes the village spirit, where the individual is a part of the whole. He believes that industrialized nations can learn a lot about simplicity and happiness from people who live in traditional villages. His method of print making is unique and this video follows all the details of his work.

http://vimeo.com/42220444

rich harvest by Fred Mutebi              

Here’s a link to his website:
http://fredmutebi.org/

Spring Lily

Last year for my Easter greeting, I drew a lily bursting out of an egg.  This year, I decided to make it a tradition and draw it again.  And like last year, I waited til the last minute — a traditional thing for me.

Last year, I did a collage drawing with markers and ink:

Easter

This year I used ink, watercolor, gouache, and colored pencils.  I was inspired by a crow’s egg because crows are the birds I see most often and they fuss at me if I don’t write or draw.  They fuss at me if I do, but that’s another story.

Have a happy Easter, and I hope something magnificent breaks open for you this year.