Old Tales, New Views

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One of the reasons I think books will never be outdated is because book makers and publishers keep coming up with innovative ways of using the form. I’m delighted by the work of illustrator Clementine Sourdais who has taken the tales Little Red Hood by the Grimm Brothers and Puss in Boots by Charles Perrault and breathed new life into them.

Using crisp cut-outs and the accordion form, these books unfold into a magical presentation that draws children in.  I used them to lure my young friends Monica (age 8) and Karishma (age 7) away from the computer.  Both girls not only enjoyed the stories, but found the books fascinating.

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They use the classic, wordy telling of these stories, but they both held the girls’ interest.  They loved the ingenuity of the cat in Puss in Boots.pib_page02

The snipping open of the wolf in Little Red Riding Hood, and his inevitable death, was macabre, but compared to what they see on television and other media, it’s not so shocking.  It gave us a brief moment to talk about scary things and self-defense.  I talked to them about how people generally have different feelings about animals than people did when the story was written.  And real wolves aren’t out looking to have grandmothers and little girls for lunch. lrrh_page01

Metaphorical wolves are a different matter, and that may be a conversation to have when they are older.  Stories like these seem simple, but they’re doorways to talk about more complex issues. lrrh_back

The real fun came when I got out the flash light, turned off the lights and projected the pages on to the walls.  There was a whole new shadowy way of enjoying the books.  They immediately wanted to take over the flashlight and projection.  We had to adjust the angle of light, figure out the scenes, and then we each told part of the stories from memory.pib_page01 lrrh_page02Later, the girls used the books to make a maze, where telling part of the stories helped them find their way through.  It was interesting to hear the mash-up of stories.  I loved it when the ogre from Puss in Boots had to deal with the wolf in Little Red Riding Hood.pib_backThe illustrator Clémentine Sourdais studied at the Mediterranean College of Art and Design in Marseille and the École nationale supériure des beaux-arts in Lyon. She has already brought her signature illustration style to several books that have been ­published in France: Mes ­maisons du monde (My Houses in the World), Tout sur le ­printemps (All about Spring), and Tout sur l’été (All about Summer). She lives and works in Lyon.

Little Gestalten publishes book from all over the world and is committed to George Bernard Shaw’s idea to “Make it a rule never to give a child a book you would not read yourself.”  They’re publishing amazing books that can be enjoyed by both children and adults.  Check them out here.

Thanks for reading my blog.

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Into The Monster Dimension

PABLOJANEI got to take my 10 year old neighbor at Bridge Meadows, Noah Tanatchangsang, to the park a few days ago.  He ran around for a while, created attack and doomsday games with the playground equipment, filmed squirrels on my cell phone, and then told me how the evil squirrels would get into my popcorn when I watched the film.  I asked him if he wanted to read a book with me.

I pulled Pablo & Jane and the Hot Air Contraption by Jose Domingo out of my bag and in the late afternoon light, under a grove of evergreens, we were transported into the world of two bored kids.

They’d already been everywhere in the neighborhood: the crooked custodian’s forest, the haunted orphanage, the ruined asylum, the tunnel of whispers, even the old graveyard.  Jane, much to Pablo’s dismay, decides they should explore “that ruined creepy house on the top of the hill, the one filled with monsters and where the radioactive meteorite crashed.”

Her mom admonishes her not to die before dinner time.

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A clever quirky storyline is just the beginning of the fun of this book.  Pablo and Jane meet a rat named Dr Jules who has built a fantastic hot air contraption.  Dr. Jules has a nemesis, the one-eyed evil cat, Dr. Felinibus, who causes the hot air contraption to go into a sort of radioactive warp zone and crash through to the monster dimension.

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In this parallel dimension, cities are inhabited by their ghosts, myths and monsters.  In order to help rebuild the contraption, you have to find parts to it that Dr. Felinibus has hidden in each city.  Pablo, Jane and Dr. Jules race thorough Ageless, Athens, Macabre Mararkech, Nocturnal Norway, and, to Noah’s delight , Treacherous Thailand (he’s of Thai heritage.)

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This is only a part of the spread. Try finding all these things while avoiding cranky snakes.

I love that Jane is the bravest character in the bunch, and also quite good at outsmarting Dr. Felinibus.

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Each spread challenges readers to more and more difficult searches.  Noah and I didn’t get through all them in one sitting, although he says he’s a Where’s Waldo Wizard.  We’ll be returning to this book not only for the search challenge, but for the discussion it sparked on the myths and monsters of different cultures.  It has a complex vocabulary that’s already given Noah a few new words for his own monster stories.

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After you find all the search items and reach the amazing conclusion (one that promises sequels), you get another list compiled by Dr. Jules, where you’re challenged to find specific monsters.

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Pablo & Jane and the Hot Air Contraption was just published this month (October 2015) by Flying Eye Books.  I think it’s is a great book for the Halloween season.  Although it cost more than candy, for that special monster and comic loving child, this makes a great gift.  Noah thought it might be nice to get a flashlight, too, so he could stay up and explore the monster dimension after bedtime.

The book has a sturdy binding with a puffy cover, so it’ll hold up well to visits from lots of children of all ages.

Jose Domingo has a dense, unique and colorful style that’s visually engrossing.  My pictures and scans here do the work no justice.  You have to see them live.

This book got a starred review at Publishers Weekly, which you can read here:  http://www.publishersweekly.com/978-1-909263-36-9

Domingo is a Spanish comic artist whose drawing obsession led him to work with the animation industry before publishing his first full length comic.  Nobrow published his comic Adventures of a Japanese Business Man.

I hope you get a chance to enjoy this book. But if you run into zombies in the bone-chilling bayou, we suggest you don’t ask the Norwegian troll for help.

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Nature Anatomy by Julia Rothman

Drawing things is an excellent way of learning their true shape and structure.  I’m always amazed at the detail of the simplest forms – leaves, shells, mushrooms. When you start to notice the details of things, you start to wonder is there a name for that?  Usually, yes.  For instance, the margin of a leaf, its edge, can be entire, undulate, serrate, lacerate or crenate.  I know this because I’ve got Julia Rothman’s gorgeous book Nature Anatomy: The Curious Parts & Pieces of the Natural World (Storey Publishing, 2015.) 
Part visual dictionary, part field guide and part celebration of life, it’s a pure delight to read.  It restores a sense of wonder about the world that’s growing all around us.  She starts with the earth itself, draws her way through the flora, fauna, weather and atmosphere of this complex planet.  She says,
“There is no way to include even a small portion of the enormous world around us in a book of any size.  Where does it end?  There is an infinite amount to learn about, from the constellations to the core of the earth.  I guess I think of this project as MY nature book.  It’s the information I was interested in learning about, the things I wanted to draw and paint.  While it is only a teeny scratch on the surface, it gave me a chance to become acquainted with plants, animals, trees, grasses, bugs, precipitation, land masses and bodies of water that I wanted to be able to name when I walked by.”
She visits Prospect Park in Brooklyn daily, which sparked her interest in knowing more about what she saw.  She had help in her quest for names from John Niekrasz, her friend and naturalist, who helped her write and formulate ideas for it.  It’s a magnificent accomplishment. 
I’d never heard of water bears.  Where have they been all my life?
Rothman had undertaken a similar project in a previous book, Farm Anatomy, where she did detailed drawings of the animals, crops and components of a farm.  Understanding is at the heart of her work.  I think these “anatomy” books should be in the reference library of every writer and artist. Even if you never get to use it in conversation, there’s something satisfying in know the name of something.  And because I have such a poor memory, I love having a reference where I can look for the name again.  The book is well organized and reads almost like a story.  There is the big story of nature itself, and all the little details that make each life form unique.
In Nature Anatomy, Rothman includes lessons on how to paint a simple landscape, how to predict weather, how to make a seaweed facial, and how to make stuffed daylily buds, and many other ways to enjoy nature. The mini-essays that accompany the drawings are easily understood but provide a lot of scientific information.  You learn how mountains were formed, the different types of bird feathers, the difference between a frog and a toad.
And something lovely about sunsets
It’s a great book to share with children of all ages, to get them to start seeing the complex beauty of the world around them.  I like to take it to the art sessions I have with children and watch them gaze at the pictures then try to copy what they see.  I’m sure it’s helping them look closer at all the nature that’s springing up around them.  My 10 year old neighbor Noah and I found inky cap mushrooms and brought one home.  We had such fun watching it degenerate into a pool of sticky, stinky black ink.

We drew a mushroom, of course
If you feel your sense of wonder has diminished, this book is just the medicine you need. 
Julia Rothman is an illustrator whose work has appeared in numerous books, magazines and newspapers.  She designs stationary and wallpaper from her studio in Brooklyn, New York.  You can learn more about her by clicking here

The book is beautifully bound by Storey Publishing. 
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Beautiful endpapers
Storey specializes in publishing practical information that encourages personal independence in harmony with the environment.  You can learn more about their books by clicking here.